Top 20 Films of 2025
Let’s face it, 2025 was a cataclysmically awful year—certainly the worst in our nation’s history that I’ve been alive to witness. Since free expression is a clear threat to authoritarianism, […]
Let’s face it, 2025 was a cataclysmically awful year—certainly the worst in our nation’s history that I’ve been alive to witness. Since free expression is a clear threat to authoritarianism, […]
Even during my current writing hiatus, no force on earth could prevent me from interviewing Crispin Glover during his long-awaited return to Chicago. Whenever his name appears in the credits […]
I often wonder whether my wife and I ever would have met had she not founded the site, Cinema Femme. It connected directly with a passion I had developed simply […]
If you had told me at the beginning of 2024 that I would be ending the year no longer working for RogerEbert.com, having left on good terms to work full-time […]
2023 marks my ninth year of writing for RogerEbert.com, and though Indie Outlook remains on an indefinite hiatus due to other projects, I couldn’t resist publishing my annual compilation of […]
I often refer to writer/director Michael Glover Smith’s 2015 debut feature “Cool Apocalypse” as the Windy City’s answer to “Manhattan,” albeit without the creep factor. There is a sequence in […]
A day prior to seeing the new 4K restoration of 2006’s surrealist epic “Inland Empire” at the Music Box Theatre’s “David Lynch: A Complete Retrospective—The Return,” programmed by Daniel Knox, […]
The films of David Lynch have always had a special place in my heart. At age 13, I saw my very first Lynch picture, “The Straight Story,” a movie my […]
Fifteen years ago, I stood for hours while enduring subzero temperatures in a line that stretched for several blocks to see one of the greatest living filmmakers present his latest […]
It has only been within the last few months that I began seeing movies in a theater again. Attending press screenings has felt akin to a family reunion, allowing me […]