Indie Outlook Picks the 2022 Nominees
The more one is aware of how politicized award seasons are, the less one cares about who actually wins. Last year’s Oscar telecast was such a travesty that it left […]
The more one is aware of how politicized award seasons are, the less one cares about who actually wins. Last year’s Oscar telecast was such a travesty that it left […]
2022 was, without question, the greatest year of my life. On July 1st, I married the love of my life, Rebecca, while surrounded by so many of our loved ones […]
As Indie Outlook comes to a close, at least for the time being, I have taken a significant hiatus from writing reviews and interviews for RogerEbert.com, in light of other […]
Last month, I had the honor of delivering the keynote speech at the Illinois Journalism Education Association’s All-State Journalism Team & Journalist of the Year Celebration in Springfield, Illinois. I […]
The following article was written by Rebecca Martin, publisher of Cinema Femme and festival director of the Cinema Femme Short Film Fest. “The final moments of director Sarah Sherman’s ‘September’ […]
I often refer to writer/director Michael Glover Smith’s 2015 debut feature “Cool Apocalypse” as the Windy City’s answer to “Manhattan,” albeit without the creep factor. There is a sequence in […]
A day prior to seeing the new 4K restoration of 2006’s surrealist epic “Inland Empire” at the Music Box Theatre’s “David Lynch: A Complete Retrospective—The Return,” programmed by Daniel Knox, […]
The films of David Lynch have always had a special place in my heart. At age 13, I saw my very first Lynch picture, “The Straight Story,” a movie my […]
Fifteen years ago, I stood for hours while enduring subzero temperatures in a line that stretched for several blocks to see one of the greatest living filmmakers present his latest […]
My annual article selecting the films and artists I’d love to see nominated during this year’s awards season further affirms why my Best of 2021 list was alphabetized. There were […]