With Netflix and other streaming platforms offering more reasons than ever to stay home, the Chicago International Film Festival reminds us that no home entertainment enhancements can compete with the […]
Self-importance is what defines Oscar season rather than any degree of quality. What makes these films any more deserving of awards consideration than what preceded them over the last several […]
The following review is penned by guest contributor Patrick McDonald, freelance writer and the Über Critic. At the recent Emmy Awards, there was one TV series collecting the statues as […]
“Come on, Roy, let’s get out of here,” said his mother. The taxi was still waiting with the motor running and they got in. The driver put it into gear […]
“That’s the magic of movies,” Alfred Hitchcock told Veronica Cartwright on the set of his 1963 masterpiece, “The Birds,” upon explaining to her how a bit of pantomime married with […]
I had arrived at the Indianapolis airport for the first time just hours before viewing a short film that not only took place there, but re-staged harrowing events that continue […]
There’s a scene early on in Serbian writer/director Ognjen Glavonić’s profoundly tense narrative feature debut, “The Load,” that is worthy of Hitchcock. A police car gradually appears in the side […]
Though the Oscar season has barely begun, I doubt I’ll see a better film this year than Floor Adams’ “Mind My Mind.” Among its numerous recent accolades, this thirty-minute marvel […]
I’ll never forget the moment I first fell in love with the cinema of Quentin Tarantino. Having grown up Catholic pre-Gibson’s “Passion,” I was not at all accustomed to graphic […]
While waiting for the Lyft that would take me to my cousin’s home in Brentwood, following my trip to pick up the tux I would wear in the press room […]
