That Moment When You Realize You Are Agent Cooper
“I believe that these mysteries are not separate entities but are, in fact, complementary verses of the same song. Now I cannot hear it yet, but I can feel it, […]
Tag Archives: Twin Peaks
Top 20 Films of 2017: Part II
In a year that has consistently felt like an apocalyptic black comedy, albeit one that is no laughing matter, the greatest films have served as an anchor of sanity. I’m […]
A Dream Wrapped in a Nightmare: The Genius of “Twin Peaks: The Return”
“In order to follow my films, you must concentrate on the emotion. Because if you concentrate on the buttermilk, you’ll end up going to the dairy.”—David Lynch This was what […]
James Fotopoulos on “The Given,” “There” and More
Four summers ago, I met filmmaker James Fotopoulos at a screening in Chicago. I was so taken with his thoughts regarding cinema that I agreed to visit the set of […]
Indie Outlook: Fifth Anniversary
There’s no question that this independent film blog has been one of the great joys of my life for over the past five years. It has enabled me to champion […]
Indie Flashback: Piper Laurie on “Carrie,” “The Hustler” and Fumio Yamaguchi
The following interview was originally published on November 29th, 2011, at HollywoodChicago.com. Few character actresses have proven to be as effortlessly versatile as Piper Laurie. Her Oscar-nominated turns as Paul […]
Grace McPhillips on “The Other One”
Ask Grace McPhillips about how she’s been able to make a living as an actor, and she will give you a multitude of marvelous stories—more than any one interview could […]
Kill Bill: Top Ten Chapters
If Stuntman Mike had hallucinated while getting beaten to a pulp in the final moments of “Death Proof,” his gleefully nihilistic fantasy may not have looked all that different from […]
Martha P. Nochimson on “David Lynch Swerves”
Cinephiles, prepare to have your minds blown. The new book by acclaimed film critic and writer, Martha P. Nochimson, does a brilliant job of altering and revitalizing our understanding of […]
David Lynch: A Surrealist Symphony in Four Movements
Robert Altman always referred to his enormously diverse body of work as “one big movie.” Precisely how Altman interpreted the linkage between each of his distinctive pictures is left for […]
