Writing for RogerEbert.com: Vol. 8
As Indie Outlook comes to a close, at least for the time being, I have taken a significant hiatus from writing reviews and interviews for RogerEbert.com, in light of other […]
Tag Archives: David Lynch
Indie Outlook: Tenth Anniversary
Last month, I had the honor of delivering the keynote speech at the Illinois Journalism Education Association’s All-State Journalism Team & Journalist of the Year Celebration in Springfield, Illinois. I […]
John Neff on “The Straight Story,” “Mulholland Dr.” and “Inland Empire”
A day prior to seeing the new 4K restoration of 2006’s surrealist epic “Inland Empire” at the Music Box Theatre’s “David Lynch: A Complete Retrospective—The Return,” programmed by Daniel Knox, […]
David Lynch: A Complete Retrospective—The Return, A Photo Journal
The films of David Lynch have always had a special place in my heart. At age 13, I saw my very first Lynch picture, “The Straight Story,” a movie my […]
Daniel Knox on “David Lynch: A Complete Retrospective—The Return” at the Music Box Theatre
Fifteen years ago, I stood for hours while enduring subzero temperatures in a line that stretched for several blocks to see one of the greatest living filmmakers present his latest […]
Indie Outlook: Ninth Anniversary
The past year could’ve very easily been the last of my site, Indie Outlook. I founded it the day after Independence Day in 2012 as a way to provide a […]
Jacqueline Xerri and Sofia Popol on “Monkey Bars”
Roger Ebert once told David Lynch that the director’s 2001 masterpiece “Mulholland Dr.” is a movie that “refuses to be over” in the best sense. The same could be said […]
Wendy Robie on “Dreaming Grand Avenue,” “Twin Peaks” and More
There’s no program I’ve found to be more therapeutic during this exceedingly strange and despairing year than David Lynch and Mark Frost’s “Twin Peaks.” After visiting Mary Reber, the wonderful […]
Jaclyn Bethany on “Indigo Valley,” “The Rehearsal” and More
Dreams have often become practically indiscernible from reality during this quarantined era where our days have blurred together like never before. It’s coincidental yet entirely fitting that filmmaker Jaclyn Bethany’s […]
CIFF 2019: “Knives Out,” “Portrait of a Lady on Fire” and Five More Contenders
Few modern filmmakers understand the essence of Frank Oz’s artistry as innately as Rian Johnson. The most euphoric sequence in Johnson’s sublime 2017 blockbuster, “Star Wars: The Last Jedi,” occurs […]
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