Remembering David Lynch
The first David Lynch film I saw was “The Straight Story,” which is one of the most achingly beautiful films ever made. I was quite young when I first saw […]
Tag Archives: The Straight Story
Writing for RogerEbert.com: Vol. 9
2023 marks my ninth year of writing for RogerEbert.com, and though Indie Outlook remains on an indefinite hiatus due to other projects, I couldn’t resist publishing my annual compilation of […]
John Neff on “The Straight Story,” “Mulholland Dr.” and “Inland Empire”
A day prior to seeing the new 4K restoration of 2006’s surrealist epic “Inland Empire” at the Music Box Theatre’s “David Lynch: A Complete Retrospective—The Return,” programmed by Daniel Knox, […]
David Lynch: A Complete Retrospective—The Return, A Photo Journal
The films of David Lynch have always had a special place in my heart. At age 13, I saw my very first Lynch picture, “The Straight Story,” a movie my […]
Daniel Knox on “David Lynch: A Complete Retrospective—The Return” at the Music Box Theatre
Fifteen years ago, I stood for hours while enduring subzero temperatures in a line that stretched for several blocks to see one of the greatest living filmmakers present his latest […]
That Moment When You Realize You Are Agent Cooper
“I believe that these mysteries are not separate entities but are, in fact, complementary verses of the same song. Now I cannot hear it yet, but I can feel it, […]
Top 100 Favorite Films: 2017 Edition
A few years ago, I was asked by a friend to rank my Top Five Favorite Films. It was so daunting to limit my list to only five titles that […]
Top 100 Favorite Films
I was recently asked by a friend to rank my Top Five Favorite Films. It was so daunting to limit my list to only five titles that I decided to […]
Martha P. Nochimson on “David Lynch Swerves”
Cinephiles, prepare to have your minds blown. The new book by acclaimed film critic and writer, Martha P. Nochimson, does a brilliant job of altering and revitalizing our understanding of […]
David Lynch: A Surrealist Symphony in Four Movements
Robert Altman always referred to his enormously diverse body of work as “one big movie.” Precisely how Altman interpreted the linkage between each of his distinctive pictures is left for […]
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