Writing for Cinema Femme: Vol. 1
I often wonder whether my wife and I ever would have met had she not founded the site, Cinema Femme. It connected directly with a passion I had developed simply […]
I often wonder whether my wife and I ever would have met had she not founded the site, Cinema Femme. It connected directly with a passion I had developed simply […]
The first David Lynch film I saw was “The Straight Story,” which is one of the most achingly beautiful films ever made. I was quite young when I first saw […]
If you had told me at the beginning of 2024 that I would be ending the year no longer working for RogerEbert.com, having left on good terms to work full-time […]
2023 marks my ninth year of writing for RogerEbert.com, and though Indie Outlook remains on an indefinite hiatus due to other projects, I couldn’t resist publishing my annual compilation of […]
A day prior to seeing the new 4K restoration of 2006’s surrealist epic “Inland Empire” at the Music Box Theatre’s “David Lynch: A Complete Retrospective—The Return,” programmed by Daniel Knox, […]
The films of David Lynch have always had a special place in my heart. At age 13, I saw my very first Lynch picture, “The Straight Story,” a movie my […]
Fifteen years ago, I stood for hours while enduring subzero temperatures in a line that stretched for several blocks to see one of the greatest living filmmakers present his latest […]
The past year could’ve very easily been the last of my site, Indie Outlook. I founded it the day after Independence Day in 2012 as a way to provide a […]
There’s no program I’ve found to be more therapeutic during this exceedingly strange and despairing year than David Lynch and Mark Frost’s “Twin Peaks.” After visiting Mary Reber, the wonderful […]
“Come on, Roy, let’s get out of here,” said his mother. The taxi was still waiting with the motor running and they got in. The driver put it into gear […]