My Favorite Performance in the History of Cinema
It all starts with that helicopter shot. The Twentieth Century Fox logo twinkles in silence before fading out, as a billowing wind starts to sound. Suddenly, the audience finds itself […]
Tag Archives: Indie Outlook
Popcorn Porn: “Fifty Shades” and “Kingsman”
Just in time for Valentine’s Day, audiences around the country have two pieces of cheerfully dumb, studio-approved, hard R-rated pornography to choose from at mainstream theaters. One is Sam Taylor-Johnson’s […]
Love Is Honesty: The Catharsis of “Almost There”
There’s a brief close-up that occurs early on in Dan Rybicky and Aaron Wickenden’s documentary, “Almost There,” of hands covered in glitter, those infuriating particles so often caked onto supposedly […]
Neither Safe Nor Still: The Genius of Julianne Moore
Throughout her extraordinary career, Julianne Moore has often excelled at playing characters who are ostracized. Consider her 1950s housewife who develops forbidden feelings for her black neighbor in “Far from […]
High on “Inherent Vice”
I frankly didn’t know what to make of Paul Thomas Anderson’s “Inherent Vice” the first time I saw it. I hadn’t read the Thomas Pynchon novel upon which it was […]
Top Twenty Films of 2014: Part II
Drum roll, please! Below are Indie Outlook’s picks for the Top 10 Films of 2014 (click here to view #11-20). Make sure to scroll all the way down for a […]
Top Twenty Films of 2014: Part I
These films mean so very much to me. The best thing an end-of-the-year list can do is entice readers to seek out movies they might have otherwise overlooked, and that […]
“Into the Woods”: Stage Versus Screen
When writing about Stephen Sondheim and James Lapine’s “Into the Woods,” there’s no need to beat around the bush. It’s my favorite musical of all time. I first discovered the […]
A “Christmas Carol” Worth Remembering
With every holiday comes family traditions, and one of my favorites is to watch my parents argue over which film version of Charles Dickens’ “A Christmas Carol” is the best. […]
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