High on “Inherent Vice”
I frankly didn’t know what to make of Paul Thomas Anderson’s “Inherent Vice” the first time I saw it. I hadn’t read the Thomas Pynchon novel upon which it was […]
I frankly didn’t know what to make of Paul Thomas Anderson’s “Inherent Vice” the first time I saw it. I hadn’t read the Thomas Pynchon novel upon which it was […]
“There’s nobody really better than you are,” replied a rather perplexed and amused David Letterman during his hilarious 2009 interview with Joaquin Phoenix, an actor rendered unrecognizable by his scruffy […]
I was recently asked by a friend to rank my Top Five Favorite Films. It was so daunting to limit my list to only five titles that I decided to […]
I remember hearing a story once about the vast amount of time it took Philip Seymour Hoffman to walk to a craft service table. He was on the set of […]
Upon initial glance, Shane Carruth’s “Upstream Color” may seem like the most formidably impenetrable head-scratcher in many a moon. Like any potent fever dream, the film plays directly on the […]
When Meryl Streep presented Daniel Day-Lewis with his third Oscar (making him the first performer in history to receive three Best Actor statuettes) on last month’s telecast, I suddenly realized […]
Contrary to what the Academy may have you believe, the year’s best films aren’t always released during November and December. In fact, one of the pictures in my top ten […]
Quentin Tarantino was once quoted saying that no filmmaker should use a song that has already been powerfully featured in a previous picture. The irony is that Tarantino recycles iconic […]
Paul Thomas Anderson’s “The Master” is that special sort of film that I believe warrants more than one podcast. This past September, I spoke with filmmaker Mike Eisenberg soon after […]
On Friday, September 28th, Indie Outlook creator Matt Fagerholm visited The Morning Amp on Chicago’s Vocalo 89.5FM station for the first installment of a new monthly series highlighting independent cinema. […]