Indie Outlook Picks the 2023 Nominees
No matter how long Indie Outlook remains on hiatus due to other projects, this site will continue to be the place where you will annually find, in addition to my […]
No matter how long Indie Outlook remains on hiatus due to other projects, this site will continue to be the place where you will annually find, in addition to my […]
It’s humbling to realize that out of the twenty films I’ve selected as the finest of the year, only a small handful have received a wide theatrical release. Such is […]
The more movies one sees during a given year, the more maddening one finds the conspicuous omissions during awards season, where voters’ memories fail to extend past the month of […]
The last film I reviewed as a critic for my college paper, The Columbia Chronicle, prior to my graduation in May 2008, was Jon Favreau’s “Iron Man.” I gave it […]
One of the most incredible and humbling parts of my job at The Ebert Company has been the opportunity to write for RogerEbert.com. It’s an honor simply to have work […]
As the summer fades to black, critics are already bracing themselves for the aggressive onslaught of awards campaigns that will be vying for their attention in the coming months. We’ll […]
Attending this year’s Ebertfest was tremendously moving for a multitude of reasons. I loved experiencing an uncompromising artwork with a thousand cinephiles eager to take the plunge. I loved observing […]
Suzy: “Was he a good dog?” Sam: “…Who’s to say?” This is sample dialogue from Wes Anderson’s latest whimsical charmer, “Moonrise Kingdom,” a film that did boffo business in limited […]