Rob Christopher on “Roy’s World: Barry Gifford’s Chicago”
“Come on, Roy, let’s get out of here,” said his mother. The taxi was still waiting with the motor running and they got in. The driver put it into gear […]
Veronica Cartwright on “The Field,” “The Birds,” “Alien” and Much More
“That’s the magic of movies,” Alfred Hitchcock told Veronica Cartwright on the set of his 1963 masterpiece, “The Birds,” upon explaining to her how a bit of pantomime married with […]
Jenna Ruiz and Gurinder Singh Khalsa on “Singh”
I had arrived at the Indianapolis airport for the first time just hours before viewing a short film that not only took place there, but re-staged harrowing events that continue […]
Ognjen Glavonić on “The Load”
There’s a scene early on in Serbian writer/director Ognjen Glavonić’s profoundly tense narrative feature debut, “The Load,” that is worthy of Hitchcock. A police car gradually appears in the side […]
Floor Adams on “Mind My Mind”
Though the Oscar season has barely begun, I doubt I’ll see a better film this year than Floor Adams’ “Mind My Mind.” Among its numerous recent accolades, this thirty-minute marvel […]
Why “Once Upon a Time…in Hollywood” is My Favorite Tarantino Film Since “Kill Bill”
I’ll never forget the moment I first fell in love with the cinema of Quentin Tarantino. Having grown up Catholic pre-Gibson’s “Passion,” I was not at all accustomed to graphic […]
Writing for RogerEbert.com: Vol. 5
While waiting for the Lyft that would take me to my cousin’s home in Brentwood, following my trip to pick up the tux I would wear in the press room […]
Indie Outlook: Seventh Anniversary
It’s only fitting that Independence Day has been followed each year by the anniversary of Indie Outlook, my site dedicated to films and artists who are among the finest in […]
Why “Psycho” and “Alien” are the Perfect Double Bill
“Mother’s interrupted the course of our journey. She’s programmed to do that should certain conditions arise.”—Dallas (Tom Skerritt) 40 years ago today, Ridley Scott’s horror classic, “Alien,” went into wide […]
Emily Lape and Alison Hixon on “Mercy’s Girl”
Few films in recent memory have made me melt quite as often as “Mercy’s Girl,” Emily Lape’s debut feature as a writer, director, producer and editor. It was shot four […]
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