Writing for RogerEbert.com: Vol. 10
February 28th, 2024, marked my tenth anniversary of working at RogerEbert.com, which seemed like a fitting full circle moment to bid this extraordinary chapter of my life farewell. Other projects […]
February 28th, 2024, marked my tenth anniversary of working at RogerEbert.com, which seemed like a fitting full circle moment to bid this extraordinary chapter of my life farewell. Other projects […]
When I first heard that the tirelessly brilliant Cloris Leachman passed away yesterday at age 94, my mind immediately flashed back to the performance that made me a lifelong fan. […]
It’s humbling to realize that out of the twenty films I’ve selected as the finest of the year, only a small handful have received a wide theatrical release. Such is […]
“Baby get moving / Why keep your feeble hopes alive? / What are you proving? / You’ve got the dream but not the drive.” So sang Michael Gibson, bringing down […]
Witches have always cast a spell on me. The more they frightened me as a child, the more I loved them. A few years ago, I ranked my top ten […]
Nothing excites me more than discovering an artist whose work is unlike anything I’ve seen before. The third year of Indie Outlook, my labor of love devoted to covering cinema’s […]
It was the holiday season of 1987. Disney had rereleased its 1950 feature, “Cinderella,” in theaters on November 20th, and my parents decided to take their one-year-old son (full disclosure: […]
When writing about Stephen Sondheim and James Lapine’s “Into the Woods,” there’s no need to beat around the bush. It’s my favorite musical of all time. I first discovered the […]
With All Hallows’ Eve on the orange-hued horizon, Indie Outlook takes a nostalgia-filled look at my most beloved seasonal monstrosity: the witch. Her maternal façade only makes her demonic nature […]