
My annual article selecting the films and artists I’d love to see nominated during this year’s awards season further affirms why my Best of 2021 list was alphabetized. There were so many different varieties of greatness represented both in theaters and on streaming platforms this year that it proved impossible to find a clear front-runner. Six of my favorite films from 2021 received no less than seven nominations apiece: Derek DelGaudio’s transcendent exploration of identity, “In & Of Itself,” directed by Frank Oz; Paul Thomas Anderson’s endearing coming-of-age comedy, “Licorice Pizza”; Fran Kranz’s acting masterclass, “Mass”; Jane Campion’s haunting western, “The Power of the Dog”; Jasmila Žbanić’s shattering wartime drama, “Quo Vadis, Aida?”; and Emma Seligman’s marvelous portrait of social anxiety, “Shiva Baby.” Two surefire contenders in this year’s Best Foreign Film race each received five nominations: Nathalie Álvarez Mesén’s breathtaking debut feature, “Clara Sola,” and Ryûsuke Hamaguchi’s life-affirming epic, “Drive My Car.”
There were so many extraordinary cinematic achievements that emerged in the form of miniseries this year that I had to give them their own category. The sheer number of great breakthrough performances in 2021 was so vast that I expanded their category to ten nominees, while six performers were included in the Best Young Actor category. Concluding the list are Eleven Special Mentions, featuring my picks for such honors as Best Scene-Stealer, Best Song Cover and Best Use of Animation.
Before I reveal the nominees, I’d like to give a shout-out to the remarkable identical twin journalists Hannah and Cailin Loesch, who have been conducting insightful interviews over the past decade, whether it be a deep-dive conversation or a brief interaction on the red carpet. Their previous subjects have included LGBTQ+ advocate Jazz Jennings, “Eighth Grade” star Elsie Fisher and “Paradise Lost” co-director Joe Berlinger, so I was immensely honored when they invited me to be a guest on their web show, “Double Talk,” this past April. We spoke about the uncertain state of pandemic-era cinema, the audacious projects made possible by streaming services (including Netflix’s “Maniac,” where Hannah and Cailin acted opposite Sally Field) and why “Schitt’s Creek” was the definitive sitcom of 2020 (not to mention a 21st century “Groundhog Day,” thanks in part to Chris Elliott, Robin Duke and the spirit of Eugene Levy and Catherine O’Hara’s “SCTV” co-star, Harold Ramis). You can watch the full episode below…
And now, the nominees…
BEST PICTURE
In & Of Itself
Licorice Pizza
Mass
The Power of the Dog
Shiva Baby
BEST DOCUMENTARY
In the Same Breath
North by Current
Procession
Street Gang: How We Got to Sesame Street
Torn
BEST FOREIGN FILM
Clara Sola
Drive My Car
Petite Maman
Quo Vadis, Aida?
Titane
BEST SHORT FILM
Fletcher
The Human Voice
Hush
The Letter Room
Monkey Bars
BEST MINISERIES
The Beatles: Get Back
Maid
Mare of Easttown
Midnight Mass
The Underground Railroad
BEST DIRECTOR
Paul Thomas Anderson, “Licorice Pizza”
Fran Kranz, “Mass”
Frank Oz, “In & Of Itself”
Emma Seligman, “Shiva Baby”
Jasmila Žbanić, “Quo Vadis, Aida?”
BEST ACTOR
Benedict Cumberbatch, “The Power of the Dog”
Oscar Isaac, “The Card Counter”
Hidetoshi Nishijima, “Drive My Car”
Will Smith, “King Richard”
Lakeith Stanfield, “Judas and the Black Messiah”
BEST ACTRESS
Jessica Barden, “Pink Skies Ahead”
Jasna Đuričić, “Quo Vadis, Aida?”
Isabelle Fuhrman, “The Novice”
Emilia Jones, “CODA”
Thomasin McKenzie, “Last Night in Soho”
BEST SUPPORTING ACTOR
Reed Birney, “Mass”
Jason Isaacs, “Mass”
Troy Kotsur, “CODA”
Masaki Okada, “Drive My Car”
Kodi Smit-McPhee, “The Power of the Dog”
BEST SUPPORTING ACTRESS
Jessie Buckley, “The Lost Daughter”
Kirsten Dunst, “The Power of the Dog”
Ann Dowd, “Mass”
Shira Haas, “Asia”
Martha Plimpton, “Mass”
BEST BREAKTHROUGH ACTOR
Wendy Chinchilla Araya, “Clara Sola”
Nell Barlow, “Sweetheart”
Jessica Barr, “Sophie Jones”
Alana Haim, “Licorice Pizza”
Cooper Hoffman, “Licorice Pizza”
Yoo-rim Park, “Drive My Car”
Rachel Sennott, “Shiva Baby”
Suzanna Son, “Red Rocket”
Micaela Wittman, “Clairevoyant”
Rachel Zegler, “West Side Story”
BEST YOUNG ACTOR
Gemma Brooke Allen, “Mixtape”
Ana Julia Porras Espinoza, “Clara Sola”
Kiawentiio, “Beans”
Devyn McDowell, “Annette”
Gabrielle Sanz, “Petite Maman”
Saniyya Sidney, “King Richard”
BEST ORIGINAL SCREENPLAY
Paul Thomas Anderson, “Licorice Pizza”
Rose Glass, “Saint Maud”
Fran Kranz, “Mass”
Nathalie Álvarez Mesén & Maria Camila Arias, “Clara Sola”
Céline Sciamma, “Petite Maman”
BEST ADAPTED SCREENPLAY
Jane Campion, “The Power of the Dog”
Derek DelGaudio, “In & Of Itself”
Ryûsuke Hamaguchi & Takamasa Oe, “Drive My Car”
Emma Seligman, “Shiva Baby”
Jasmila Žbanić, “Quo Vadis, Aida?”
BEST CINEMATOGRAPHY
Caroline Champetier, “Annette”
Elisha Christian, “The Voyeurs”
Christine A. Maier, “Quo Vadis, Aida?”
Andrew Droz Palermo, “The Green Knight”
Shaheen Seth, “Birds of Paradise”
BEST EDITING
Michael Robinson Fleming, “In & Of Itself”
Jaroslaw Kaminski, “Quo Vadis, Aida?”
Angelo Madsen Minax, “North by Current”
Hanna Park, “Shiva Baby”
Mark Towns, “Saint Maud”
BEST COSTUME DESIGN
Jenny Beavan, “Cruella”
Mark Bridges, “Licorice Pizza”
Milena Canonero, “The French Dispatch”
Odile Dicks-Mireaux, “Last Night in Soho”
Marci Rodgers, “Passing”
BEST PRODUCTION DESIGN
David Gropman, “The Humans”
Sam Licenco, “Judas and the Black Messiah”
Florencia Martin, “Licorice Pizza”
Hannes Salat, “Quo Vadis, Aida?”
Adam Stockhausen, “The French Dispatch”
BEST SCORE
Electric Youth and Pilotpriest, “Come True”
Jonny Greenwood, “The Power of the Dog”
Daniel Hart, “The Green Knight”
Ariel Marx, “Shiva Baby”
Mark Mothersbaugh, “In & Of Itself”
BEST SOUND
In & Of Itself
The Novice
The Power of the Dog
Shiva Baby
The Tragedy of Macbeth
BEST MAKEUP
Everybody’s Talking About Jamie
The Green Knight
Nightmare Alley
Titane
The Tragedy of Macbeth
BEST VISUAL EFFECTS
Clara Sola
Ghostbusters: Afterlife
The Matrix Resurrections
Saint Maud
Titane
Eleven Special Mentions
BEST SONG
“So May We Start” from “Annette”
BEST SONG COVER
“Bye Bye Bye” sung by Suzanna Son in “Red Rocket”
BEST SCENE-STEALER
Kathryn Hunter, “The Tragedy of Macbeth”
BEST ONSCREEN COUPLE
Virginie Efira & Daphné Patakia, “Benedetta”
BEST NARRATION
Sigrid Harmon & Angelo Madsen Minax, “North by Current”
BEST USE OF ANIMATION
Roy’s World: Barry Gifford’s Chicago
BEST FINAL BOW
Diana Rigg, “Last Night in Soho”
BEST FINAL LINE
Nightmare Alley
BEST TRANSCENDENT ACHIEVEMENT IN STORYTELLING
Derek DelGaudio, “In & Of Itself”
WORST FILM OF THE YEAR
Home Sweet Home Alone
WORST COMMERCIAL FOR BROADWAY
Diana: The Musical