Top Twenty Films of 2013: Part I
Audacity reigned at both mainstream multiplexes and art house theaters in 2013, proving once and for all that cinematic storytelling is best experienced on a big screen with a large […]
Audacity reigned at both mainstream multiplexes and art house theaters in 2013, proving once and for all that cinematic storytelling is best experienced on a big screen with a large […]
With All Hallows’ Eve on the orange-hued horizon, Indie Outlook takes a nostalgia-filled look at my most beloved seasonal monstrosity: the witch. Her maternal façade only makes her demonic nature […]
There are many gifted cinematographers in modern cinema—Roger Deakins, Janusz Kaminski, Christopher Doyle, Robert Richardson, John Toll, to name a few—yet none have caused my jaw to routinely drop to […]
Flawless musicals are harder to find than you think. There always seems to be a song or two that isn’t quite up to par with the others. Everyone loves “Singin’ […]
Long before video essays were in vogue, there was the Nostalgia Critic. Portrayed by online satirist Doug Walker on the hit Channel Awesome site, ThatGuyWithTheGlasses.com, the character delivered scathing reviews […]
Andrew Bujalski wants you to know that the naturalistic dialogue in his 2002 microbudget masterwork, “Funny Ha Ha,” was not the result of an “anthropological exercise.” He was 22 when […]
Watching a Melika Bass film is like falling deep into a rapturous fever dream, chockfull of sensory pleasures that render time itself irrelevant. They seem to last mere minutes—only afterwards […]
On July 5th, 2012, I posted my first article on Indie Outlook. It’s now been an entire year since then, and I’m amazed and humbled by the extraordinary array of […]
As a longtime scholar and champion of indie filmmaking, it is a great thrill and honor to announce that I, Matt Fagerholm, will be teaching a six-week class entitled “Beyond […]
A legion of improv artists numbering over 50 have sunk their comedic choppers into “Party Time Party Time,” a Chicago-based “melanchomedy” from directors Marty Schousboe and Morgan Lord. Though production […]