Salute These Shorts
One of the great unexpected pleasures of the first-ever Chicago Critics Film Festival was its rich and varied assortment of short subjects curated by critic Collin Souter. Though I missed […]
Tag Archives: Matt Fagerholm
CCFF Preview: Emily Hagins on “Grow Up, Tony Phillips”
The first-ever Chicago Critics Film Festival has a great deal of cinematic goodies in store for cinephiles this weekend, from acclaimed indies like Sarah Polley’s “Stories We Tell” and James […]
Ode to My Hero, Roger Ebert
It’s fitting that the film scheduled to screen for Chicago film critics tomorrow is “To the Wonder,” the latest film from Terrence Malick, a filmmaker that Roger Ebert adored. The […]
Haunted “Room 237” is Worth a Return Visit
There’s no question Stanley Kubrick’s “The Shining” was one of the seminal moviegoing experiences of my life. I saw it at a young age with my beloved Uncle Chuck in […]
Shane Carruth on “Upstream Color”
Upon initial glance, Shane Carruth’s “Upstream Color” may seem like the most formidably impenetrable head-scratcher in many a moon. Like any potent fever dream, the film plays directly on the […]
Abbie Cornish Shines in “The Girl”
Not to be confused with the tedious Hitchcock exposé of the same name, David Riker’s “The Girl” is a sensitive and touching character portrait that provides star Abbie Cornish with […]
Jenny Deller on “Future Weather”
Lauduree is the sort of young heroine Hollywood doesn’t have the guts to portray. She’s not addicted to drugs or fawning over a vampire. As played by the sublime Perla […]
Ten Enticing Titles at SXSW 2013
With movie theaters currently overrun with would-be blockbusters painfully underserving of a full-price ticket, it’s a mighty consolation to see so many enticing titles emerge from festivals such as SXSW. […]
The Greatest: Meryl Streep and Daniel Day-Lewis
When Meryl Streep presented Daniel Day-Lewis with his third Oscar (making him the first performer in history to receive three Best Actor statuettes) on last month’s telecast, I suddenly realized […]
David Lynch: A Surrealist Symphony in Four Movements
Robert Altman always referred to his enormously diverse body of work as “one big movie.” Precisely how Altman interpreted the linkage between each of his distinctive pictures is left for […]
