Top 20 Films of 2019: Part I
It’s humbling to realize that out of the twenty films I’ve selected as the finest of the year, only a small handful have received a wide theatrical release. Such is […]
It’s humbling to realize that out of the twenty films I’ve selected as the finest of the year, only a small handful have received a wide theatrical release. Such is […]
The more movies one sees during a given year, the more maddening one finds the conspicuous omissions during awards season, where voters’ memories fail to extend past the month of […]
The last film I reviewed as a critic for my college paper, The Columbia Chronicle, prior to my graduation in May 2008, was Jon Favreau’s “Iron Man.” I gave it […]
One of the most incredible and humbling parts of my job at The Ebert Company has been the opportunity to write for RogerEbert.com. It’s an honor simply to have work […]
As the summer fades to black, critics are already bracing themselves for the aggressive onslaught of awards campaigns that will be vying for their attention in the coming months. We’ll […]
Attending this year’s Ebertfest was tremendously moving for a multitude of reasons. I loved experiencing an uncompromising artwork with a thousand cinephiles eager to take the plunge. I loved observing […]
Suzy: “Was he a good dog?” Sam: “…Who’s to say?” This is sample dialogue from Wes Anderson’s latest whimsical charmer, “Moonrise Kingdom,” a film that did boffo business in limited […]