With Netflix and other streaming platforms offering more reasons than ever to stay home, the Chicago International Film Festival reminds us that no home entertainment enhancements can compete with the […]
A “Starr” is truly born in “The Hate U Give,” George Tillman Jr.’s riveting screen adaptation of Angie Thomas’ bestselling book, which was published only last year. Amandla Stenberg turns […]
Ever since I was hired by Chaz Ebert in early 2014, I have accompanied my anniversary retrospectives at Indie Outlook with an annual compilation of my writing for RogerEbert.com. This […]
I saw A.J. Edwards’ “The Better Angels” on a double bill with “The Thin Red Line,” Terrence Malick’s 1998 war epic that deserves to be experienced in its full majesty […]
As the summer fades to black, critics are already bracing themselves for the aggressive onslaught of awards campaigns that will be vying for their attention in the coming months. We’ll […]
Amma Asante’s “Belle” is a beautifully shot, beautifully acted, beautifully palatable piece of work. It’s the sort of film bound to be embraced by audiences who found Steve McQueen’s infinitely […]
Aristotle was right. The whole is indeed greater than the sum of its parts. Sometimes films that are otherwise unrelated form a richer picture than they could merely on their […]
With the 2014 Academy Award nominees announced early this morning, Indie Outlook offers its instinctive predictions for each category: who will win, should win and should’ve been nominated. For a […]
As awards groups around the globe scramble to assemble their list of nominees in all the major categories, Indie Outlook couldn’t resist putting together its own. If Indie Outlook picked […]
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