Writing for RogerEbert.com: Vol. 5
While waiting for the Lyft that would take me to my cousin’s home in Brentwood, following my trip to pick up the tux I would wear in the press room […]
Tag Archives: Bernard Herrmann
A Decade of Lady Gaga: Ten Unforgettable Performances
Stefani Joanne Angelina Germanotta, a.k.a. Lady Gaga, was born just six days after me on March 28th, 1986. Over the past decade, I’ve looked to her as one of the […]
That Moment When You Realize You Are Agent Cooper
“I believe that these mysteries are not separate entities but are, in fact, complementary verses of the same song. Now I cannot hear it yet, but I can feel it, […]
Six Soundtracks Worth Blasting Out Your Window On Halloween
Ever since I deemed myself too old to trick-or-treat, my favorite Halloween tradition has been to conjure the spirit of the holiday through the realm of music. When I was […]
The Storm Clouds Broke
“No bags allowed,” said the theater attendant. Initially, I was shocked. I had carried my laptop bag with me to film screenings for the last several years, but today was […]
Herrmann & Hitchcock: Symphony of Suspense
Few collaborations between artists have ever led to as indelible an array of art as the partnership of Alfred Hitchcock and Bernard Herrmann. Of course, both men’s careers are legendary […]
Top Ten Most Underrated Hitchcock Movies
Thirty-four years after his death, Alfred Hitchcock is more popular than ever. One of his films (“Vertigo”) was hailed by critics worldwide as the greatest film ever made, dethroning “Citizen […]
Kill Bill: Top Ten Chapters
If Stuntman Mike had hallucinated while getting beaten to a pulp in the final moments of “Death Proof,” his gleefully nihilistic fantasy may not have looked all that different from […]
Shane Carruth on “Upstream Color”
Upon initial glance, Shane Carruth’s “Upstream Color” may seem like the most formidably impenetrable head-scratcher in many a moon. Like any potent fever dream, the film plays directly on the […]
Same Old Song: 8 Great Reuses of Movie Music
Quentin Tarantino was once quoted saying that no filmmaker should use a song that has already been powerfully featured in a previous picture. The irony is that Tarantino recycles iconic […]
Indie Outlook 