Ognjen Glavonić on “The Load”
There’s a scene early on in Serbian writer/director Ognjen Glavonić’s profoundly tense narrative feature debut, “The Load,” that is worthy of Hitchcock. A police car gradually appears in the side […]
There’s a scene early on in Serbian writer/director Ognjen Glavonić’s profoundly tense narrative feature debut, “The Load,” that is worthy of Hitchcock. A police car gradually appears in the side […]
The more movies one sees during a given year, the more maddening one finds the conspicuous omissions during awards season, where voters’ memories fail to extend past the month of […]
There’s a certain magic that occurs when a film so thoroughly fulfills your long-held wishes that it seems as if the director had made it especially for you. Some films […]
Today marks the end of the 54th Chicago International Film Festival, and I feel as if it’s only begun. My crazier-than-usual schedule combined with a lack of pre-festival press screenings […]
The mind boggles when attempting to summarize the careers of Austin Pendleton and Ann Whitney. They are two of the finest actors ever to grace the stage in Chicago, and […]
When people ask me for advice on how to be a writer, I always encourage them to find a way to write about what they love, regardless of what their […]
The most exciting film opening in Chicagoland theaters today has absolutely nothing to do with “Star Wars,” though it does harken back to another crucial work of the 1970s. Before […]
Ever since I was hired by Chaz Ebert in early 2014, I have accompanied my anniversary retrospectives at Indie Outlook with an annual compilation of my writing for RogerEbert.com. This […]
What makes a great biblical film? Is it the accuracy of its script to the original text, the sheer magnitude of its spectacle or its popularity with churchgoing audiences? For […]
As a longtime scholar and champion of indie filmmaking, it is a great thrill and honor to announce that I, Matt Fagerholm, will be teaching a six-week class entitled “Beyond […]